Tuesday, September 28, 2010

Can A Toddler Have Insomnia?

No silence that never ends. Ingrid Betancourt

Aguilar seal, which will distribute the book in English synthesizes its 712 pages to "a journey into the heart of extreme emotions, a meditation on life, on the condition of the reprobate and what it means to be human." So much prose on the eve of launch advertising editorial.

Another is, however, the weight of what was said by the writer and critic Hector Abad, already read it and talk of force "hypnotic" the story that predicts, "will be a classic history and Colombian literature."
With the launch of There is no silence does not end , María Isabel García de Radio Nederland interview with Colombian writer Consuelo Trivedi Anzola, who opened the Sixth International Symposium on Literature, organized by the Central University of Bogotá, dedicated the historical novel and fiction in history, held from 8 to 10 September. The full interview on the link below http://www.rnw.nl/espanol/article/colombia-ingrid-otra-vez-desde-la-selva

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Book One hundred years later. The literature of women in Latin America.

In August 2010 was held at the Universidad San Martin de Porres an International Symposium on the occasion of the presentation of the book hundred years later. The literature of women in Latin America: The legacy of Mercedes Cabello de Carbonera and Clorinda Matto de Turner.
An interesting research paper on Latin American women's literature and especially on the Peruvian.
Bind a short video that covers the activities of the Symposium.

http://www.csulb.edu/lats/itss/design/video/2010/sep/goswitz/

Wednesday, September 22, 2010

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REMEMBER THE SCORPION: New novel by Isaac Goldemberg


The Peruvian poet narrated and Isaac Goldemberg (Chepén, 1945) deals with the detective genre with his novel Remember the scorpion, published by the Publishing Fund Universidad Inca Garcilaso de la Vega, Lima, a novel that will be released within the next Ricardo Palma Book Fair on 25 October, the act of which will inform you in due course.
Goldemberg recently been interviewed by Eduardo Corrales IBLNEWS. While we reproduce the text, you can also read the interview http://iblnews.com/story/57674


Isaac Goldemberg taken by assault the police genre with his novel scorpion Remember
18/09/2010


EDUARDO CORRALES, IBLNEWS
After more than three decades of maturation and after carving out a solid reputation in the world of American letters, the narrator and the Peruvian poet Isaac Goldemberg (Chepén, 1945) has met his early ambition to write a crime novel and has been translated under the title Remember the scorpion .


The author of Life installment of Don Jacobo Lerner "the removal of the nail" (said in Peru) with a story that explores, in his own words-"the dark corners of human nature."

of "a work delirious parody, effectively" bringing together all the stereotypes of the genre and pays homage to its predecessors, both in literature and film, has labeled the Mexican writer Margo Glantz's first novel Black Goldemberg.

For its part, the narrator and essayist Mempo Guardinelli talks about the plot of Remember the scorpion as "juicy and fascinating"

The work presented in the lead roles of two officers of the Investigative Police of Peru: Captain and Lieutenant Simon Weiss Kathon Kanashiro.

"I chose the two detectives were a Jew and a Japanese is also a Japanese mestizo" because I was interested in exploring the relationship between two individuals of ethnic minorities who have somehow had a lot of prejudice in Peru "he reveals.

At the beginning of the story, both characters have been commissioned to investigate the murders are a Japanese victims in a pool hall and an old Jew in a pension, the two establishments located in downtown Lima.

A persistent image

In the beginning, Goldenberg - who lives in New York since 1964 - made in 1977 a trip to Lima, whose purpose was to collect data for a novel. In the course of the investigation, "she says encountered (perhaps in the newspaper Ultima Hora), with news of the murder of the owner of a popular restaurant.

Although the details and the precise circumstances of the case faded with the passage of time, "for some reason, reading that story was drawn in my mind the image of Japanese in a pool and crucified on one of the tables; that image mysteriously haunted me all these years " says.

But the store of raw materials of the fiction of treasured Godemberg another image, which - once rescued, dusted and value-would serve to weave the fabric.

This image was "a hanging" an old Jew in a pension from the center of Lima, pension really existed, but not the name that appears in the novel, and I frequented a lot of child " noted.

"Then, without knowing how these two images became part of a historical space and time defined: the Second World War, which would help me to explore certain aspects of human behavior" says.

The action takes place over six days, starting on June 2, 1970, date on which the Peruvian soccer was measured with Bulgaria in Mexico '70 World Cup. Two days earlier, on May 31, a deadly and destructive earthquake had shaken dramatically Lima and north of the country.

"The paralysis suffered by Lima's earthquake and football matches played by the Peruvian team, was the ideal scenario, half ghost, to act the characters of my story," she says.

noir Relatives in a Gothic city

The sleaze, cynicism and violence, with some kitsch touch have traditionally been some of the useful tools to delve into the mechanisms of individual behavior and social processes, especially from emerging and existing noir from the decade of the 30s and 50s of last century.

"There is a certain kinship between Remember the scorpion and black genre novels written at that time," he admits. "In my novel, for example, there is a predilection for dark, half-deaf, and situations prevailing corruption and violence."

At this level, the stage itself as the story unfolds it becomes a kind of protagonist, Lima appears as a dark city full of shadows, "a little Gothic."

"At the same time, the novel presents characters-especially the captain Weiss-as individuals traumatized by his past, that is psychologically defeated and torn between good and evil," relates the author of time to time (1984 .)

"Also, in the novel-to be a police-mingle romantic passion and hatred, love and desire, forgiveness and revenge," he adds.

And since the character of a romantic melodrama, the author inserted the popular-music, waltzes and boleros as part of the story being told.

The soundtrack includes pipe dream and the commoner (both classic tunes composed by the bard Pinglo Peruvian Felipe Alva) and boleros, lyrics and music monuments erected to the glory of despair and abandonment-Love blind, insane and Lost Love Heart .

"At some point of these songs serve as a backdrop to the plot and explain and complement what the characters feel, illustrates.

Is gender a child?

For the author of Man of Paso / Just Passing Through (1981), the fact that the detective novel to enjoy great popularity does not make the kind in 'minor'. "Suffice it to mention, going back to nineteenth-century writers who have practiced this kind as important as Edgar Allan Poe, GK Chesterton or Arthur Conan Doyle," he says.

in time and space closest quoted Adolfo Bioy Casares, Jorge Luis Borges, Rodolfo Walsh, and among contemporaries mentions Mempo Giardinelli, Paco Ignacio Taibo II, Ricardo Piglia, James Ellroy and Roberto Saviano.

Although Latin American literature has a long tradition of police-narrative in its various aspects, and from before until after Bolaño Borges, "the Peruvian literature samples do not match the dimensions of other countries Gender is growing more widespread.

"Certainly the number of crime novels in Peru can not be compared with countries such as Mexico, Argentina and Cuba, but rather nurtured is a list that goes from writers such as Jorge Salazar, to Mario Vargas Llosa and Carlos Calderon Fajardo, to Santiago Roncagliolo, to quote one of the newest "he says. Goldemberg

confesses that except Who Killed Palomino Molero?, de Vargas Llosa, has not read-yet-no other Peruvian police novel. "It is precisely now that I'm dedicating myself to read them. I've wanted to do before to not" contaminate " or thematically or stylistically, since for several years had planned to venture into this genre. "

In White Night, the latest novel by Ricardo Piglia, one of the characters, Croce, released:" The novels resolved elegance or brutality crimes for readers to stay calm. "

" Regarding Remember the scorpion, I'd say that the resolution of crimes but rather to serve readers are uneasy, to reflect on prejudice , genocide, abuse of power, and inefficiency, often, law and justice, "he says.

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Bus n. 33. JUGGLING THE FIRE: Special Salvadoran culture


THE FIRE JUGGLING
Fire symbolizes change, purification, sacrifice, in short, a process of transformation and regeneration that culminated in creativity. But the ambivalence of the fire comes from his character, too, destructor. Creative-destruction seems to be the dichotomy that governs cultural events in El Salvador. Moments of thrust, intellectual and artistic initiatives with a view to change, the aspiration for socio-cultural demolish obsolete structures, explosions of creativity and poetry and art and colors. And at the same time, social upheaval, violence, unusual, pain, death. Is a constant collective death and rebirth. Its inhabitants are real jugglers of laughter and excitement. Some, like Hunahpú and Ixbalanqué perish in the pyre lit by his enemies, to be reborn in the greenery of the word. Others light their own fire in their desire to perpetuate a life ritual to purify the hatred in a society battered, bruised, and dating from 1932 massacres, disappearances and torture, a twelve-year civil war (1980-1992) and violence social, for more than a decade, mutilated bodies, threat traffic. But burning before planting, perpetuates in another, and the grain that dies, is reborn. Volcanoes and flowers, mud and shrapnel, blood and cement, desolation and irony, pain and neurosis, fresh or sardonic laughter, spiritual reflections, old songs are some of the raw materials of literature that will never die, but live within the limits of self-destruction. Monograph


coordinated and directed by Tania Pleitez and M. Angeles Vázquez.

Thursday, September 16, 2010

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The seed of anger. Anzola Trivedi Consuelo

TRUTH AND LIES IN THE HISTORICAL NOVEL. For Dasso Saldivar

The atmosphere of profound truth that permeates the pages of The seed anger Trivedi novel Consuelo Anzola published two years ago on the life and times of José María Vargas Vila, has led me to resume my old lawsuit with the historical novel: what makes the works of this subgenre We prove true or false? Because I think that depends not only on the experience and literary talent, or that the writer is girded or not the historical truth, since the novel does not compete with the truth of history or science. I usually catch a few times since this type of novels, especially those manufactured in our time, but when you have convinced me, I have been overwhelmed by the persuasiveness of the story, as recently happened to me with The seed of anger before with and I, Claudius, The Ides of March, Memoirs of Hadrian I, the supreme, The General in His Labyrinth, and, of course, the biggest of all, War and peace.
course, credibility is essential to achieving that any novel can be convinced of its truth, and must be embodied in a tone, a style, a point of view and a particular time management. But to believe in the intrinsic truth of the historical novel, which in a nutshell is the vision and emotion of the writer, there must be something fundamental and prior to any technicality, all literature, and is the patience and the ability of the author to make history and characters in their own experience in autobiographical experience, memory and forgetting, as I wanted Rilke. Only then from that I vicariously has taken another being, another time and another culture, and only from there is where there is the aura of truth in any authentic historical novel. On the contrary, and although the historical accuracy and literary masters attending the writer, the work can sonarnos false or at least doubtful. So just as there is no poetry real novel, one can say that there is no real historical novel autobiographical experience, without taking intimate character of his time and culture, as in life same. This is what Tolstoy did for decades, Graves, Wilder, Yourcenar, Roa Bastos and García Márquez to forge their paradigmatic works. It is what it has done recently with Consuelo Trivedi Anzola seed of anger.


Studious and passionate of modernism, the Colombian writer, was for more than twenty years soaking up the life, work and the time of his compatriot Jose Maria Vargas Vila, the "bright pastor of storms", as he called his friend Ruben Dario. First he made his doctoral thesis on his huge work, then went to Cuba to dust off their newspapers and later published a selection in Colombia. Between lectures, classes and saturating the character introductions followed, his work and his Modernist period, until one day he got tired and forgot. Or so she thought, since forgetting is not just another form of memory, perhaps the most vaunted and deep. And so it came years after the first chapter of the seed of anger and then the next, to form a world as autonomous, seductive and true, that over time these memories Angry Divine, lived vicariously by Consuelo Trivedi Anzola, may be as the best novel of Vargas Vila and one of the best works written and narrated by Colombian and Latin American literature. The

seed of anger. Trivedi Consuelo Anzola. Seix Barral. Bogotá, 2008. Dasso Saldivar (Colombia, Antioquia, 1951) is the author of Gabriel García Márquez. The trip to the seed (Folio, 2006) Review appeared in

Babelia http://www.elpais.com/articulo/portada/Verdad/mentira/novela/historica/elpepuculbab/20100807elpbabpor_1/Tes

Wednesday, September 1, 2010

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Dedicated to all our Trollerstalkers to die of the envidiota, since cats and their DNA Maistro (Amoebae of Nathas) only eat Wiska. Greetings
"Papa" Nathan "!