What Is % Isolated Yield For Benzocaine Synthesis

more (Carlos Oquendo de Amat)

In the house number 415 of Jiron Moquegua Puno city, was born poet Carlos Oquendo de Amat. This nineteenth century house where he also edited one of the most important newspapers Puno, the daily El Siglo, was declared Cultural Patrimony of the Nation and in a suspicious manner was annulled by the INC (Instituto Nacional de Cultura). With this resolution, the current owner is authorized to demolish and build a hotel.

A HOUSE IS NOT MORE

By Carlos Meneses, biographer

Oquendo Oquendo de Amat I think if vivo and found out that they want to demolish the house where he was born, close my eyes in a gesture bitter, swallow saliva and declare powerless to stop that action. Maybe write a poem without heartburn. His house in the city of Puno turned into a paradise flowing through the clouds. Do not throw expletives, would not look with anger at those who want to carry out this nefarious attitude. Forgive knew precisely because he almost always spared forgiveness. However, if I saw her collapsed house, if he could see the house where he lived with his parents the first three years of his life shattered, feel as if he had severed his arm with one blow of his cutlass. What a pain in the arm not seething blood. What a pain in the soul. The soul as a beautiful flower that has lost almost all their leaves. But that what may matter to those who never knew what poetry is. People who only care about improving the size of his fortune. An old house is not important, throw it away and build a hotel, a senior apartment building. That there was born a poet, and therefore was considered cultural heritage. The coin will never understand the flower. That

Puno house where Carlos Oquendo de Amat first saw the light, was guarded by the consideration of cultural property imposed by resolution. Unfortunately this has also lapse when the economy as a tank coil feelings. The National Institute of Culture in Lima, would have to intervene forcefully to avert the danger which hangs over the first home of the poet. Not only Phoenician defend the attitude of those who want to destroy, to encourage that house becomes platform, museum or place entirely dedicated to the culture. Remain indifferent to this nasty situation suggests insensitivity, something unworthy of a representative institution of the culture of a country.